The Research Studio Gallery was Jules André Smith’s most formal expression of his commitment to experimentation in the arts.
Designed in 1936 and funded by his close friend and patron Mary Curtis Bok, the gallery was conceived as a dedicated space for artists to explore new ideas outside the confines of traditional exhibition formats. It officially opened in December 1937 as part of what Smith referred to as an “art laboratory”, a space built for testing, discovery, and dialogue.
The main exhibition space, now known as Gallery 2, was anything but conventional. Smith designed a long, narrow room lined on one side with recessed square compartments, each meant to house a single artwork. Seating was installed on the opposite wall, allowing viewers to sit and focus on one piece at a time without visual interference from others. In an article for the Winter Park Topics, Smith compared this layout to the most popular and enduring exhibition formats in the world: zoos and aquariums, where exhibits are presented in isolation to encourage concentrated viewing and appreciation.
Originally, the gallery was not open to the public. Access was limited to invited guests and the resident artists, who used the space to showcase their works-in-progress and engage in critique. But by 1940, Smith added an entrance off Packwood Avenue, shifting the gallery’s purpose toward public engagement. Attendance increased, and with it seemed to come a gradual change in community attitudes toward modern art. What had once seemed radical or obscure began to resonate with broader audiences.
Over the next two decades, the Research Studio Gallery became a quietly influential force in Central Florida’s art scene. Smith displayed his own surrealist and abstract works alongside those of the Bok Fellows and other contemporary artists. Visitors encountered a range of styles, from experimental sculpture and automatist drawings to magic realism and symbolic frescoes. One shocked visitor famously called the gallery an “Insanitorium of Art”, a label Smith adopted with pride, underscoring the center’s commitment to bold, unconventional creative expression.
Today, the Maitland Art Center’s galleries continue this tradition. Through a rotating schedule of contemporary exhibitions, the Center honors Smith’s vision by providing space for innovation, risk, and fresh perspective.
Explore our current exhibitions
Take a virtual tour of past contemporary exhibitions and explore how today's artists continue to push creative boundaries within these historic walls. (Link to 3D Tours landing page)
The Silent Conservations of Sinuhé Vegan Negrin
Sinuhé Vegan Negrin
https://my.matterport.com/show/?m=kkRaUV82EyS
Man and Machine
Mauro Wieser
https://discover.matterport.com/space/Rdn4HKJLNh8
A Bright Light from the Embers
Que Throm and Cicero Greathouse
https://my.matterport.com/show/?m=FmLEibgzAmn
The View From Within
Shannon Elyse Curry and Nneka Jones
https://my.matterport.com/models/GJqDXquz37R
A Constant Goodbye: The Table Runner Stories of Gisela Romero
Gisela Romero
